Several people have contacted me in the last twenty four hours about a relatively new site called FamilyTreeNow.com. The site is one of a couple of large 3rd party data … Continue reading Secure your information online
I’m one of five women on a panel about Feminist Infrastructure at the Digital Humanities annual conference taking place now in Krakow, Poland. Due to other obligations, I’m here in … Continue reading Feminist Infrastructure as Metamorphic Infrastructure
The Vibrant Lives team had the great pleasure of debuting our Living Net experience Thursday evening at the University of Victoria’s Digital Humanities Summer Institute. This has been part of the … Continue reading Vibrant Lives presents: The Living Net
FemTechNet’s signal/noise conference, held in Ann Arbor (MI) this weekend, hosted the debut of Vibrant Lives’ DataPLAY. Below is our playbill, which evokes early American playbills that were used to advertise … Continue reading DataPLAY Debuts
I’ve been working lately with the Vibrant Lives team on performative, haptic approaches to understanding data. This first took the form of our Vibrant Lives performance this fall at ASU’s Fall Forward showcase. Since then, we’ve been playing around with lots of different modalities for engaging with data and we’ve been talking a lot – mostly amongst ourselves, but also with folks who have been attending HSCollab’s “Critical Conversations” lunchtime series.
We are lucky that the gracious folks at DHSI have agreed to host a Vibrant Lives installation during the first week of this summer’s events. We’ve significantly modified our first performance, which took up three rooms and involved an entire flock of dancers and a lot of dust.
Our new installation will have a large crochet piece – a kind of “Net”- made by one of our principles, Jessica Rajko. Here’s Jessica’s most recent installation of the work to give you a sense of how the network has grown during an installation
You can see the full gallery of images and a video of the installation on her website.
The piece will be hanging and there will be haptic devices that will be “playing” the collective data shed in the room. There will also be an evening installation event that will incorporate realtime work and discussion. We will be weaving together bodies, technologies, spaces, and objects into an enactment of vibrant data.
I’ve been thinking a lot about Carolyn Steedman’s work in Dust and the invocation of the rag rug her in work, as well as about ends, endings, traces, and trailing – all of which really seem to harmonize with Jane Bennett’s work on Vibrant Matter and work in the vein of Karen Barad. I find myself wondering about everyday objects and their effects, their “quasi-agential” qualities.
While I do argue that data can have a similarly vibrant life of its own, around here we say that there is no data without people, without bodies. I really enjoy the ways that our work is pushing me to think hard about this. One thing I’ve found is that I’m thinking a lot about what isn’t captured about life in cellular or digital data, about the archival “data” of drawers, dust, etc. There’s a lot that is sent out in swirling waves of digital dust when we connect, but it seems to me that even does not make it into that particular kind of dust, which sends me back to Steedman’s notion of the rug, the drawer, the quotidian.
I’ve also been thinking about the ways that Diana Taylor (The Archive and The Repertoire) and Rebecca Schneider (Performing Remains) talk about the value of performance as a way of understanding memory and memorial outside of the archive or the monument. Here’s Taylor: “there is an advantage to thinking about a repertoire performed through dance, theater, song, ritual, witnessing, healing practices, memory paths, and the many other forms of repeatable behaviors as something that cannot be housed or contained in the archive.”
I spend a lot of time thinking and talking about dead people and their remains, whether in archive, performance, or elsewhere. But the Vibrant Lives performances have been largely about living people and the data that we shed as we move through connected cultures. I’ve also been thinking about my role in our performance.
In our first version, I was in the “scholars room” with Jentery Sayers and Nina Belojevic and part of what we did was talk about how the Vibrant Lives app worked.
It was good, but I want something a bit different, a bit less didactic for our DHSI performance. I also want to do something that reaches out and makes apparent the remarkable networks that sustain me in my work. I would not be able to do what I do were it not for the work already done by feminist scholars, artists, and activists, nor would I be able to sustain my work and myself without groups like FemTechNet.
So, in the spirit of Steedman’s rag rug and other related models, I’d like to ask my “nets” – all of you who make up the networks that sustain this work – to help me weave a bit of an analog network into our vibrating, vibrant web for Vibrant Lives @ DHSI. Send me a bit, a trace, an item, a piece of your everyday and I’ll sit with it and weave it into our net at DHSI. It can be fabric, or not. I don’t have much in the way of restrictions except that you be willing to have it appear and be incorporated into the net and that it fit in an envelope. If you’d like, feel free to send along a few words of context or a thought you’d like to share and I’ll find a way to incorporate that as well. If you’d like us to acknowledge your contributions (which I will happily do), please include a note to that effect. I’m also happy to take silent contributions if that is your preference. You don’t need to know anyone of us well in order to contribute – if you’re seeing these words, that is enough.
Please send your threads, your rags, your bits (before the end of May) to:
Vibrant Lives @ DHSI c/o Jacqueline Wernimont,
Department of English
Arizona State University
P.O. Box 870302
Tempe, AZ 85287
Participants in the DataPLAY will engage with a set of interactive sculptures that we are currently developing that will offer a range of haptic engagements with data. Included in this will be the Vibrant app, which uses participant’s mobile phone data to produce touch-based (haptic) feedback. Infrasonic subwoofers placed within the sculptures produce vibration feedback based on individual and aggregate data packets being sent and received through mobile phones. The data is de-identified and not permanently captured in order to protect privacy and security. Intended to be a highly interactive session that takes “play” as both recreation and performance, the Vibrant Lives DataPLAY encourages participants to touch, hold, and play with both personal and collective data. Among the play-scenes will be a braiding station, a sandbox, several haptic sculptures, and a data-based dress-up station.
Building off of a larger collaborative project titled “Vibrant Lives,” our session serves as both education and provocation. We want participants to better understand the massive amounts of data we shed on a daily basis and the ways we might engage with that shedding activity as feminist scholars and activists. Our session will be both physical exploration and collective discussion and is informed by our work in improvisational and collaborative performance, feminist STS, and digital/media studies. Among our goals are to continue explore the interdisciplinary perspectives that consider data and its relationships to body and human activity, to foster discussion of what haptics and sonification might offer us in terms of both research and performance of critical perspectives on digital culture, and the possible development of additional research agendas around haptics, personal and public data, and performative approaches to scholarly work.
Globally, people produce 2.5 quintillion (10^18) bytes of data per day. That’s roughly 3.5 million bytes of data per person, per day. Despite the torrential production, many people are only dimly aware of the volume and content of their own data production. Further, few understand how and why corporations and governments are sweeping up this information, even as they argue that such activity logging is benign, or even beneficial, surveillance. Nevertheless, it is clear that this is a highly valued (monetized) part of our lived experience. Critically commenting on this use of personal data, our work gives audiences a real-time sense of their own voluminous data shed. By highlighting the different ways that we engage with technologies of communication, we ask our participant-audiences to consider interplays of value, valuation, and embodied information.